The Work of Laurie Smith jewellery1 Painting Still Life no. 18 Provided Passage Expected Shock
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Provided Passage

Expected Shock

Still Life: Recent Painting of Laurie Smith

Context Two & Three Dimensional Work

 

Expected Shock

 

Provided Passage

 

STILL. Adj. - remaining in place, motionless, stationary. - free from sound or noise, as a place, time - free from commotion of any kind, quiet, tranquil, calm. - at this or that time - continuing now or in the future as in the past. - Steadily, constantly, always.

 
LIFE. Noun. - period of existence - the period between the appearance and disappearance of a particle.
 
STILL LIFE - a picture representing inanimate objects.
 

Laurie Smith August 2000

 

 

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The parts that precede and follow...contribute to its’s full meaning

All art is made, constructed, viewed and assessed in, and/or out of a context. My concerns with these works vary but all intersect and overlap at various points:
precious/non precious
text as pattern
when does a mark becomes a symbol?
intention of a part versus context as a whole
truth to material or process opposed to finish
accident versus intention
This work both two dimensional and three dimensional is generally made from “materials with a history”, a previous existence, function or intention. The compositions are based on photographic sources taken out of that context and fabricated from other materials. They lose their original intention/function and take on my “ imposed” concepts.
 
corroded steel - disposed of, the mark of time
ash -the residue of a previous form/material
technical components -a previous function
gold leaf - marks, symbols, patterns, outside the original context of the written word
 
A collector and hoarder by nature, I tend to look at most anything as a source of materials or compositions. These “materials” often have a value and use beyond their intended function and each materials fulfulls a requirement.
Previously my work has predominantly been three dimensional, be it, jewellery or sculpture ( merely a change in scale). I have only recently returned to two dimensional work still exploring and developing the same concerns and ideas.
Laurie Smith August 1999
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